Hi everyone and thanks for looking at these. The first query is my original; the second a rougher draft based on a critique by a fellow writer. This is the meat of the query. I’ll add personal information later. IE: first paragraph agent info and last paragraph bio. A general critique or advice on which elements to keep and which to cut would be appreciated.
Query #1
In a world changed by a cataclysm no one remembers, but which has left its footprints across the land, the Svistra, a race with a genetic deficiency that needs blood to survive, lived in relative peace.
When human settlers pushed farther north into the Svistra’s homeland, conflict flared. A king, rather than fighting the fierce people, enticed them into his army with promises of land and prosperity, before he turned on his fellow monarchs. Other kings followed suit and war carried on for centuries.
But even kings tire of warfare.
The Svistra became a race of misplaced warriors. The surviving kings used the Svistra as jailers with only their prisoners as game but the Svistra’s thirst for human blood eventually made them unmanageable. The kings banished the dwindling population to a barren mountain range where they hoped the race would eventually disappear. They were wrong.
Now the Svistra are strong, and they want their lands back.
The Devil You Know is the 100,000-word fantasy story of Selia, the daughter of a whore and an unknown solider, who runs the tavern on the last crossroads before the Wastes, and Jaden, a Svistra she finds half-dead by the roadside but nurses back to health in her barn.
When the king’s soldiers shanghai Oren, her simple-minded barkeep and her only family, Selia sets off to rescue him. Jaden soon joins her. Together, they will struggle through a merciless war and pave the way for an unlikely reconciliation between their peoples.
Query #2
Selia knew better, she’d heard the stories, but she couldn’t leave the wounded man to die, even if he was a Svistra and her enemy.
When human settlers pushed farther north into the Svistra’s homeland, conflict flared. A king, rather than fighting the fierce people, enticed them into his army with promises of land and prosperity, before he turned on his fellow monarchs. Other kings followed suit and war carried on for centuries.
But even kings tire of warfare.
The Svistra became a race of misplaced warriors. The kings banished the dwindling population to a barren mountain range where they hoped the race would eventually disappear. They were wrong.
Now the Svistra are strong, and they want their lands back.
As tension escalates between their people, Selia and Oren, her simple-minded brother, nurse Jaden back to health. The Svistra is not what she expected. Cultured and even gentle, he challenges everything she’s heard about the northern race. When the king’s soldiers shanghai Oren, Selia leaves the tavern to rescue him. Jaden soon joins her. Together, they will struggle through a merciless war and pave the way for reconciliation between their peoples and discover that sometimes, home is found in a person.
The Devil You Know is the 100,000-word paranormal romance between Jaden, a Svistra outcast and Selia, the daughter of a whore and an unknown solider, who runs the tavern on the last crossroads before the Wastes.
A few additional notes now that you’ve read these. This is a romance. It’s sent in a post-apocalyptic world but the event was so long ago, it’s only legend. However the effects of this event did cause a change in the genetic make-up of a group of people who now need blood to supplement their diet. (hence the paranormal) They do not manufacture a few essential amino acids. The Svistra are not vampires and I don’t want them to seem like vampires. This is not my first query but it seems to have me stumped.
Thank you for your time and efforts.
Shawna
First and foremost, it’s too long. The history stuff, while relevant to the story, detract here. I will say that you are 1) going to have a tough time in the query differentiating between your blood-needing people and vampires (I definitely thought vampires in some form), and 2) This doesn’t read like a romance, it reads like a fantasy/adventure. If it IS a romance (as opposed to having strong romantic elements) the romance should be a major focus of your query and as it is now, that isn’t the case.
Comment by Julie — May 15, 2009 @ 6:09 pm |
Thank you Julie and Tweetauthor. You both confirmed a few of my problems with the query, especially the first one. Thanks again!
Comment by Shawna — May 15, 2009 @ 9:44 pm |
First one read like a boring prologue. It’s too much on the events, not enough on the character.
I’d take the second one with these modifications:
Selia couldn’t leave the wounded man to die, even if he was a Svistra and her enemy.
[Cut everything in between]
But the Svistra are not what she expected. Cultured and even gentle, Jaden, challenges everything she’s heard about the northern race. [the sentences cut here are confusing to me.] [Describe specific features of the war here in present tense, not future and don't use adjectives as a way out.] and pave the way for reconciliation between their peoples.
[between Jaden, a Svistra outcast and Selia, the daughter of a whore and an unknown solider, who runs the tavern on the last crossroads before the Wastes.] cut…
1. I agree there is almost no love story here in this hook. For it to come across as a romance first, you will have to center it on the personal struggles of the people to overcome their differences rather than epic battles and mending borders between countries. Downplay the second, play up the first problem. What do they have to personally overcome to be together… then you’ll get something like Rhett Butler and Scarlet in Gone in the Wind. (The war was second to them being together despite the odds.)
2. You may have trouble selling it as a romance because often fantasy elements oversweep the romance elements and “trump” it. Many authors have included romance as well to the fantasy plot and made it critical to the plot. Elvenblood by Mercedes Lackey and Andre Norton et al. comes to mind. But it was easier for the person to sell it as a fantasy. Diana Gabaldon got away with it in the initial run, but she’s now listed under literature, fantasy and mainstream fiction.
And I’ve read many stories where two people are critical to solving conflicts between borders. Mercedes Lackey did one. (Arrows of a Queen? I believe. It’s one of the Vlademar stories.) One could argue that Diana Gabaldon managed to do this on a grand scale: time and between borders. Plus Asian Dramas, comics, etc play it up. So you’ll have to pitch to me why *this* one is special beyond that. I don’t get that from your hook. Why should it be compelling? For the Mercedes Lackey one it was an arranged marriage that turned into love and trying to heal cultural prejudices told from a man’s and the Queen’s POV in different series. For the Diana Gabaldon one it was to save the main character’s own neck while she had another husband in her own time and the use of Stone Henge as a means of traveling. For the recent manga I read, it played on the love-hate relationship where there was a double-faced nature to the relationship and the girl was from a foreign land and playing to a cultural differences model. It feels very Romeo and Juliet only with a reverse. (I like that manga too because the girl still doesn’t know she’s in love and it plays it for gags and general humor.)
So you’ll have to find an angle too and play that up as well with the personal struggles.
Also keep in mind that the human mind can only keep track of a few names in a short space of time. So try to narrow the names to Jaden and Selia. You can mention the others by title. You are baiting, not describing the whole book. Also limit the terminology. Same reason. Phone numbers are split in all countries by 3-4 digit splits for that same reason.
(Deleted my comment to repost under my own name–sorry about that It was a mistake the first time).
Comment by racheludin — May 15, 2009 @ 11:14 pm |
One question, before I add anything that wasn’t already stated above: Can you sum up the story in one sentence? Do it. Why? Because that will help us help you. Get it?
Comment by Jason — May 16, 2009 @ 5:17 am |
I believe the less than 20-word premise would be: Selia falls in love with Jaden, a king from a barbaric country warring with hers.
I can get that much from the hook. It’s just missing the bag of chips. You should be able to do that as a reader, not just the writer. It’s good practice as a writer too. Take any story you’ve read/heard and summarize it as a 20-word sentence.
If you can’t do this as a reader in any function, it’s either your inability to parse information, or it’s a problem with the writer. But this one has characters, place, and somewhat of the other W’s. So I’m fairly sure of it, the hook is just holding back on the bag of chips and has problems fitting into genre.
Comment by racheludin — May 17, 2009 @ 1:36 pm |
Really like the voice in #2 better, but I agree — still too long.
Comment by Christine Rose — May 30, 2009 @ 1:16 am |